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Linda McLean

CD: No Language
(Nettwerk)
Pennyblack Music, UK
Hailing from Northern Ontario, Linda McLean fills a gap in the female singer/songwriter
genre very nicely.
Her debut album, ÒBetty's RoomÓ, was produced by John Whynot who also produces
this set and who has worked with Lucinda Williams and Kathleen Edwards. For
those who have a fondness for female singer/songwriters there have always been
two camps. Those who fall onto the Lucinda Williams side and those who take
the softer side. What has been missing is a singer with her feet in both camps.
Sheryl Crow for a while seemed to be the best bet for an artist to succeed in
being a radio-friendly Lucinda. But the jury's still out on that one. Then along
came Anne McCue, and now Linda McLean. ÒAll AroundÓ, the fourth song on this
album is the one that shows that Linda is the main contender for filling that
gap. ÒAll AroundÓ is made for blasting out of radios. Melodic, and with Linda's
always strong vocals itÓs a highlight on the album. It's one of a few songs
which were written solely by Linda; for the most part the songs were a partnership
between Linda who wrote the lyrics and Andy McLean, her husband, who composed
the music with Linda. The exception is the last song, ÒBurn The BoatsÓ, which
is a sole Andy McLean composition and a lovely way to end the album, a wall
of shining, chiming guitars on a ballad which also goes some way to confirming
what a fantastic voice Linda has.
It's pointless coming up with comparisons when reviewing Linda's work. It seems
everyone from Joni Mitchell through to Lynn Miles taking in Jann Arden along
the way find their way into every review (and now this one too!) but that's
got to be more of a geographical thing, for Linda really is in a class of her
own when it comes to her vocals. It would appear from the liner notes that all
the vocals, including the backing vocals and harmonies, are all Linda's. No
other artist is listed as supplying vocals and if it is all Linda then there
is no doubt she can handle anything when it comes to singing.
This is one of those rare albums where you can press play on any track and not
be disappointed. The title track, ÒNo LanguageÓ, the following song, ÒWhat I'm
AfterÓ; strong melodies abound, the playing is immaculate, especially from Andy
McLean who contributes outstanding guitar work throughout, and Linda's lyrics
are always interesting. As with all good lyrics there are often different ways
of interpreting them, ÒNo LanguageÓ could be addressing a lost love or the passing
of someone close. It's not often said these days but there really isn't a dud
song on this album. It's the kind of album that makes you wonder why 'next'
or 'skip' buttons are a fixture on CD players.
This is not an album where the songs take a number of plays to register; the
melodies are really strong and coupled with Linda's compelling vocal skills
and the superb playing it's an album that, if tuneful folk-rock is appealing
to you, you will find more than rewarding. Quite simply it's got to be one of
the best albums in its field.
-- Malcolm
Carter
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